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Commentary on Grace Chua's Poem: (love song, with two goldfish)

 Essay about Commentary upon Grace Chua’s Poem: love song, with two goldfish

" (love song, with two goldfish)” Commentary

" (love song, with two goldfish)”, by simply Grace Chua, is a humorous take on the kind of stereotypical romance that is typically represented in popular music. In Chua's version with the love song romance, goldfish seem to replace actual human beings which gives her an opportunity to poke gentle fun at the genre as well as use some particularly rubbish clichés and puns. In the poem we meet two young lovers who seem to be hitting this off. The male of the set makes the initial move and the female responds to his advances. This individual makes claims and programs but before lengthy (the next stanza), the girl loses curiosity and he could be left in despair. In the last stanza all of us learn, through yet another prevalent turn of expression, that the girl wanted even more from life than he could offer her. While the poem features witty wordplay, a light, humorous tone and a visually creative utilization of parentheses, the central thought, that love can be undermined by limited circumstances and a desire to have broader life-experience, is a critical one that leaves the reader in a solemn, refractive place.

Chua's use of puns is the initial thing that hits the reader. Inside the first stanza the male can be described as a " drifter, always/ going swimming her” (1, 2), a reasonable metaphor until you're able to his desire that your woman sing " the scales” (4) and present him the " fish eye” (5). Then you remember the unusual title plus the notion that goldfish in some way play a part from this love story. Suddenly the fishbowl comes into view and any expect of taking this take pleasure in story really is off. It is a " appreciate song”, all things considered. The " fish eyes” are repeated and joined by " kissy lips” (8, 9). By the end from the second stanza, she is " hooked”, and realize that his passion and fish metaphors are generally not actually new to us. " Hook, range and sinker” (11) is known as a metaphor familiar to anyone who has described somebody falling for a " line”. Now it is the visitor who has gone down for Chua's easy develop.

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